OK, and now for something completely different. I've only spoken of the following to a few of you in the past. It's a somewhat whimsical subject.
In my years in Aikido, I've seen a lot of students -- and a lot of advanced ones. I've observed that there's often a point in an advanced student's training when "their" Aikido comes out. They start to take their training a little past what Sensei is teaching, and start to express themselves; start to find what works within the teachings for them, personally.
I've had some fun over the years classifying my Sempai in "elemental" groups -- in the old, alchemical traditions of "earth, air, fire, and water."
So I'm going to step out on a limb to give some examples, using my Kai Sempai. Note that these are just my opinions/observations, and that no element is superior to any other, and I wouldn't presume to judge, in any case.
Gaston Sensei: Fire and Earth (um, volcanic eruption?)
Hamden Sensei: Earth
Goodbar Sensei: Air
Breile Sensei: Earth and Water (um, mudslide?)
Rakes Sensei: Fire
Whitt Sensei: Not sure. Probably Fire and something.
For my own entertainment, here are some of my previous teachers:
Robert Nadeau Sensei: Earthy Air (hm. sand storm?)
Hiroshi Kato Sensei: Earth, probably
Jim Friedman Sensei: Fire and Air
Daniel Palmer Sensei: Earth
I studied under Nadeau Sensei twice, somewhere around 1991. I don't really consider him my first teacher because it was only for about 3 months each, and I don't feel like it "stuck." But he certainly was a very intense teacher, flamboyant character, and did leave an impression. Nadeau Sensei was a direct student of O'Sensei, and still teaches in San Francisco.
Jim Friedman Sensei was my first teacher, from 1996-2001. He started under Iwama style, and then studied under Hiroshi Kato Sensei, who was a direct student of O'Sensei. Kato Sensei is 78, and still teaches, visiting Friedman Sensei's Dojo from Japan about twice a year. I got "hands on" with Kate Sensei a couple of times, and it was special.
Daniel Palmer Sensei was my teacher from 2002-2006, in Asheville NC. He studied under Akira Tohei Sensei, also a direct student of O'Sensei.
Not sure why I felt the need to write all that down, but since it's my blog I don't need a reason. Besides, as I'm coming up on my Shodan Test, I think it's important to honor my own "lineage," as it honors my teachers. I'm proud of my eclectic history, I guess. I hope to live up to that tradition.
Inceidentally, I think it's rather impossible to determine your own element. I think it probably has to be done by someone observing from the outside -- or from someone consistently on the receiving end of your technique.
What's my elemental style, for instance? I suppose I have a personal affinity -- a preference -- for a water element. If I lived in Arlington, for instance, I'd love to study under Saotome Sensei, I think. I also love to watch Donovan Waite Sensei. And I would love to channel Take Sensei (Seagal) at times. But I really have no idea. My element is probably wood or something. Sawdust, more likely.
:-)
That’s wonderfully whimsical Mike! I particularly love the mudslide reference to Briele Sensei – while it doesn’t quite capture the beauty of his movements I’ve often felt his motion like a wave and as he’s very well grounded I must concede mudslide works!
ReplyDeleteAs for you, I would definitely mix Air into your own evaluation! I don’t know if I could clearly say why but that’s my gut reaction to this. I would also mix Air in with Rakes Sensei but other than that I would have to agree w/ your evaluations of our sempai!!
Thanks for sharing such a unique thought process Mike!!